A film actress (Natalie Moorhead) is murdered just after finishing the final scene of her latest film. There are a selection of likely suspects given her affairs and life style. Her secretary (Barbara Weeks) and a reporter (Russell Hopton) are at the heart of trying to find out who murdered her. Natalie Moorhead is good as the film star, but the plot is nothing special. The highlight of the film is the opening shot filmed on a roving camera which was unusal for a film from 1932.